7. Werkleitz Biennale Happy Believers
Festival Program
Wednesday
Thursday
Friday
Saturday
Sunday
Exhibition
Participants
Concept
Service
Picture Gallery
german version
Thursday 07.09.2006

12 a.m.
exhibition guided tour

2 p.m. Weinecksaal / Cinema
SUBJECTIVE TRUTHS
Introduction by Angelika Richter

Ein Wunder
Stanislav Mucha
DE 2000, 7 min,
Polish and German voice over with English subtitles

Saving the World
Maija Blåfield, FI 1999-2005, 55 min,
English and German with English subtitles


4 p.m. Weinecksaal
Artists Talk
with Andrea Büttner and François Bucher
Moderation: Angelika Richter
(in English)


6 p.m. Weinecksaal
Artists Talk
with Korpys/Löffler and Monika Oechsler,
Moderation: Anke Hoffmann


6 p.m.
exhibition guided tour

8 p.m. Weinecksaal / Cinema
PURSUIT OF HAPPINESS
Introduction by Angelika Richter

Kasino 2001
Tobias Kipp
DE 2005, 10:30 min, German with English subtitles

Telemistica
Christian Jankowski
DE 1999, 22 min, Italian with English subtitles

Thank You Jesus for the Eternal Present
Owen Land
US 1973, 5 min, English

Sieben bis zehn Millionen
Stefan Panhans
DE 2005, 5:39 min, German

Praise You
Music by Fatboy Slim, directed by Spike Jonze
GB 2001, 3:40 min

Preacher With an Unknown God Rob
Rob VanAlkemade
US 2005, 16 min, English

No Sir, Orison!
Owen Land
US 1975, 3 min, English


10:30 p.m. Weinecksaal / Cinema
Waking Life
Richard Linklater
US 2001, 99 min, English


10 p.m. Happy Believers Club
Red Skies Over Paradise
DJ Ektoplasma, Berlin

Subjective Truths

The program deals with faith as a counterbalance to the rational approach to the world: not calculability, measurability and certainty of existence are to the fore, but reality as idea, as that which an individual person sees, feels or believes.
A miracle tells of the faith in believing or of being able to see something with one's own eyes. In the process, reverent belief, the 'trust in God' regarding the existence of supernatural realities, and amazement in disbelief alternate. Individual views of a manifestation of a special kind are shown.
Saving the World accompanies the attempts of a single person to intervene in the events of the world, it documents the self-appointment to a chosen one who wants to save the world from its nuclear doom.
Both films open up different parallel worlds and give insights into subjective truths from the experience of practices of religious faith and personal conviction.
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