7. Werkleitz Biennale Happy Believers
Festival Program
Wednesday
Thursday
Friday
Saturday
Sunday
Exhibition
Participants
Concept
Service
Picture Gallery
german version
Thursday 07.09.2006

12 a.m.
exhibition guided tour

2 p.m. Weinecksaal / Cinema
SUBJECTIVE TRUTHS
Introduction by Angelika Richter

Ein Wunder
Stanislav Mucha
DE 2000, 7 min,
Polish and German voice over with English subtitles

Saving the World
Maija Blåfield, FI 1999-2005, 55 min,
English and German with English subtitles


4 p.m. Weinecksaal
Artists Talk
with Andrea Büttner and François Bucher
Moderation: Angelika Richter
(in English)


6 p.m. Weinecksaal
Artists Talk
with Korpys/Löffler and Monika Oechsler,
Moderation: Anke Hoffmann


6 p.m.
exhibition guided tour

8 p.m. Weinecksaal / Cinema
PURSUIT OF HAPPINESS
Introduction by Angelika Richter

Kasino 2001
Tobias Kipp
DE 2005, 10:30 min, German with English subtitles

Telemistica
Christian Jankowski
DE 1999, 22 min, Italian with English subtitles

Thank You Jesus for the Eternal Present
Owen Land
US 1973, 5 min, English

Sieben bis zehn Millionen
Stefan Panhans
DE 2005, 5:39 min, German

Praise You
Music by Fatboy Slim, directed by Spike Jonze
GB 2001, 3:40 min

Preacher With an Unknown God Rob
Rob VanAlkemade
US 2005, 16 min, English

No Sir, Orison!
Owen Land
US 1975, 3 min, English


10:30 p.m. Weinecksaal / Cinema
Waking Life
Richard Linklater
US 2001, 99 min, English


10 p.m. Happy Believers Club
Red Skies Over Paradise
DJ Ektoplasma, Berlin

Thank You Jesus for the Eternal Present

Owen Land: Thank You Jesus for the Eternal Present
A rapturous audiovisual mix. The film cobines the face of a women in ecstatic, contemplative prayer with shots of an animal rights activist, and a scantily clad model advertising Russian cars at an International Auto Show in New York.
Thank You Jesus for the Eternal Present is a series, of which this first segment has been completed.

As George Landow, Owen Land was one of the most original American filmmakers of the 1960s and 1970s. His early materialist works anticipated 'structural film', the definition of which provoked his rejection of film theory and convention. The uniqueness of Land's mature work lies in the skillful fusion of reason and, significantly, the humour that distances it from the supposedly 'boring' world of experimental film.
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