7. Werkleitz Biennale Happy Believers
Festival Program
Wednesday
Thursday
Friday
Saturday
Sunday
Exhibition
Participants
Concept
Service
Picture Gallery
german version
Saturday 09.09.2006

11 a.m.
exhibition guided tour

12 a.m. Weinecksaal / Cinema
Jerusalem My Love
Jeppe Rønde
DK 2003, 73 min, Danish with English subtitles


2 p.m. Weinecksaal / Cinema
UTOPIA AND THE PRESENT
Introduction by Angelika Richter

Malinovy zvon / The Sound of Malines
Alina Rudnitskaya
RU/DE 2006, 30 min, Russian with English subtitles

Sanctus, Sanctus
Thomas Werner
GDR 1988, 12 min, German

The Actors of Subliminal History
Christian Pogacean
RO 2004, 2:50 min

Sovetskaja elegija / Soviet Elegy
Alexander Sokurov
USSR 1989, 37 min, Russian with German subtitles


4 p.m. Weinecksaal
Belief in Transition
lecture by Boris Buden, Berlin
Moderation: Solvej Helweg Ovensen


6 p.m.
exhibition guided tour

8 p.m. Weinecksaal
Populist Paradise
Performance by Bernadette La Hengst, Till Müller-Klug, Cal McBride, Featuring: Knarf Rellöm, Pastor Leumund, local special guests

10:30 p.m. Weinecksaal / Cinema
CURIOUS ABOUT EXISTENCE
Introduction by Jan Schuijren

Low Attention Span / High Curiosity Rate (Portrait of Peter Elliot)
Tiago Carneiro da Cunha
BR/GB 2000, 7 min

The Idiot
Jeroen Eisinga
NL 1999, 7 min, Dutch with English subtitles

Walkabout
Caitlin Hulscher
NL 1994, 2:09 min, English

Die Menschen sind töricht, sie können nicht fliegen / People Are Foolish, They Don't Know How to Fly
Jeroen Eisinga
NL 1998, 5 min, German

Qingjing Jing / Purity and Tranquility Scripture
Hung Chih Peng
TW 2004, 19:38 min

Zoals het werd geopenbaard aan Jeroen Eisinga / As It Was Revealed Unto Jeroen Eisinga
Jeroen Eisinga
NL 1998, 8 min

Curious About Existence
Emily Vey Duke & Cooper Battersby
CA 2003, 11 min, English

The Wandering Mind
Caitlin Hulscher
NL 1994, 1:54 min

Towards a Common Understanding
Doug Fishbone
US/GB 2005, 12:30 min, English

One Black / One White
Hung Chih Peng
TW 2001, 2:44 min

Naïve Melody
Kerry Tribe
US 2002, 4 min, English

Essence
Ralph Jürgen Colmar
GB 2005, 1:30 min, English


10 p.m. Happy Believers Club
Sakropop „When using a beat band, the volume should be considerate to the congregation!"
commented Djing by Frank Apunkt Schneider, Bamberg (monochrom)

followed by / followed by
DJ Bigbork, Halle & DJ Beatnik, Weimar


Utopia and the Present

The socialist dictatorships were supported by a high degree of irrational devoutness. The ideologies that constituted the system led to a personality cult, to devote admiration of living and dead leader figures that took on quasi-religious dimensions. Moreover, the political religion of the totalitarian system was linked to promises of the future "in the enigmatic, extremely ambivalent field of actual immanence and alleged transcendence". 1 The non-religious view of the world, to which the monopoly of interpretation was transferred, itself acquired religious traits, because the people who grew up in the system were not defined through their status as citizens, but according to what they thought and in what they believed.
The film programme, in reversing the temporal order, starts with images of the present and goes back to documentations of socialism as it actually existed and to the filmic anticipation of its failure. Malinovy Zvon tells of the increasing significance of religion in Russia and of the privileged access to truth claimed by the church institutions. Sanctus, Sanctus and The Actors of Subliminal History bear witness to the captivating perfection and the outstanding achievements of the choreographic realisation of processions, as well as of the political ceremonies of visibly structuring hierarchies. Sovetskaja elegija is a documentary film, but at the same time a very personal commentary on the end of the Soviet Union.



1 Hartmut Lehmann: Säkularisierung. Der europäische Sonderweg in Sachen Religion. Wallstein Verlag, Göttingen 2004. p. 63.
zurück
top